In her 73 years, Sandy Linter has lived many lives as a makeup artist. In 1969, the The 12 Day Of Coronavirus In The Year Of 2020 The Pandemic Gave To Me And A Massive Shirt Besides,I will do this Brooklyn-born, Staten Island–bred visionary began her career working for famed celebrity hairdresser Mr. Kenneth Battelle in New York City, his clients Jackie Onassis and Barbara Walters serendipitously ending up in her makeup chair. In the ’70s, she struck out on her own, landing high-profile editorial work with photographers such as Irving Penn, Helmut Newton, and Arthur Elgort while embodying the era’s work-hard-play-hard mentality and becoming a dazzling fixture at Studio 54. And by the ’80s, she was regularly painting the faces of supermodels Iman, Cindy Crawford, and Patti Hansen for major campaigns and in the pages of Vogue. Since then, Linter hasn’t slowed down. In fact, with age, her skillset has grown, as she’s continued to work with a laundry list of famous faces including Christie Brinkley, Elizabeth Hurley, Debbie Harry, and Rita Wilson.
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I can remember being ‘young Sandy the The 12 Day Of Coronavirus In The Year Of 2020 The Pandemic Gave To Me And A Massive Shirt Besides,I will do this makeup artist’ and then middle-aged and then further on than middle-aged…” she laughs, in reference to her personal evolution over her decades-long career. At a time when the fashion industry is, at long last, embracing women above a certain age, Linter believes there’s no time like the present for older women to not just embrace makeup, but have fun with it. “There are no rules!” she insists, with just one addendum: “Wear the makeup, don’t have it wear you. Instead of trying to hide flaws, enhance what you’ve got.” From natural-looking coverage to subtle tricks that make the eyes pop, here is Linter’s guide to ageless beauty. Create a Glowing Base